…and all the other rooms are empty
At 8 am this morning, Peter and I were back on Lafayette Street waiting on the INS line. Everything was just like before - except red tour buses don’t start running that early. The giant building that is 26 Federal Plaza loomed over us and the little park with its puke green benches and painted purple ground repulsed us. The building is 40 stories and has about 2400 windows on each side.
As I was looking up at it, I noticed that way up, about 20 stories high on the north side, there is an air-conditioner. It is absolutely the only one. I pointed this out to Peter, who promptly replied ” Of course. That is the room with the INS person. All the other rooms are empty.”
It certainly seemed this way to us as after 2 hours of waiting we were just approaching Broadway. Peter noticed that the street we wait on, the street that all poor souls with any immigration need in NY must wait on, Worth Street, is also (by special assignation) called the “Avenue of the Strongest.” We found this completely fitting. Everyone else trying to get into the INS perished before getting that far.
With the encouraging thought, we continued to wait. To our great, but premature, pleasure, all of a sudden the line began to move. Within about half and hour we were inside the building!!! Do you understand? We were INSIDE!!!
And what do you think the first thing they told us to do was? You got it! To form a line against the wall and wait. Why we waited for there against the wall watching the security guards strut around like peacocks, we had no idea. But they filled a little pen with a crowd of us and told us that we must wait. They told us the third floor waiting room was full. When asked why we had to wait if we didn’t have to go to the third floor, they told us we DID have to go to the third floor. Really, we didn’t have to but we did have to wait. It was about 30 minutes that we waited but in many ways it was the longest part of the day, at least for me. I was soooo angry and annoyed. After over 2 hours waiting outside - to be put in a little pen inside with no information about why you have to keep waiting was close to being unbearable.
Thankfully, after about 30 minutes, they let us go upstairs. We went up to the eighth floor to room 8-100. There we waited in line for about 40 minutes before someone came out and took our papers and told us to sit down. After that it was about 2 1/2 hours before they called us up….
…. and GAVE US THE STAMP!!!! YEAH YEAH YEAH! SUCCESSSSSSS!!!! Now we can travel and Peter can work and it is done. We don’t have to go back to the INS anytime soon!
While we were waiting Peter and I decided that it would be worth while to create a musical based on visiting the INS. In some way it is an irresistible thought as you are watching all the INS employees pop in and out of little windows like some kind of puppets all afternoon. There would be some differences between our INS musical and another you might go and see. The main idea would be to give people the idea of what it feels like to go to the INS.
In this spirit, while the musical would be scheduled to start at 8 pm… tickets would not be collected until 9 pm. The audience would be formed into a line stretching around the block and every 15 minutes or so the head of the line would be led into the theater, towards something that looked like a ticket collector, then out the side door, around the block and then back to the entrance of the theater to continue waiting. This way, people won’t feel so disheartened. Every now and again they will get to move up drastically…
At 9 pm, people will be let in. The will be forced to check their coats after standing on extensive coat check lines. There will be three or four coat checkers - but only one of them will actually accept coats at any given time. Then the audience will sit in theater for an hour or so before the show actually starts. But, it will constantly seem like the show is just about to start. The lights will dim and blink periodically. Security guards and staff will make commotion and activity in different parts of the theater but they will not speak with audience members. The curtain will jiggle. Music will begin and then stop only to begin again when the lights are dimming - only to be turned back off again very slowly.
At 10 pm, the curtain will open and the the most irritating nerve stretching music will begin to emanate through the theater. Actors will appear in little booths resembling the booths at the INS - but they will work silently on jobs that you can’t quite make up or understand. Every now and then, someone will approach the booths and talk with the actors in them but quitely enough so that the audience can’t quite hear. If you’re thinking that people will begin to leave at this point, you would be right if people could leave… however, the coat check which accepted their coats would be closed until the end of the play and all staff will have vanished. No ushers. No ticket sellers. No security guards. The volume of the irritating music will ever so slowly begin to increase. There will only be one working bathroom stall for the women - and it will be noisome. The men’s bathroom will be closed. At midnight, the actors will leave the stage. The music will cease and one mute coat check person will appear and begin to slowly return coats to their owners. No one will ever be reachable for comments.